Guess who is hosting the exhibition for November? Hamilton Central Library. They've erected the displays and they look rather grand. Check it out.
Showing posts with label What Lies Beneath Exhibition. Show all posts
Showing posts with label What Lies Beneath Exhibition. Show all posts
Tuesday, November 8, 2016
Thursday, October 13, 2016
What Lies Beneath Exhibition host for October
Wellington Central Library is hosting the What Lies Beneath Exhibition during October. Check out their display during library hours or come along to the Panel Talk on Tuesday 18th October 6pm - 8pm and hear some of the authors talk. There will be book giveaways, posters and bookmarks to take for your classroom or library. We look forward to seeing you. Here's a taster of the exhibition on display:
Thursday, October 6, 2016
What Lies Beneath Wellington Panel Talk
The What Lies Beneath Exhibition is currently in Wellington. Head along to Wellington Central Library to see it on display.
Authors Melinda Szymanik, Philippa Werry, Glyn Harper, Anna Mackenzie and Maria Gill, as well as illustrators Fifi Colston and Marco Ivancic are also giving a panel talk at Wellington Central Library on Tuesday 18th October from 6pm - 8pm. There will be book giveaways, light supper, posters and bookmarks to take home, as well as a very interesting panel discussion about children's war books. See poster below for more details. Hope you can come!
Authors Melinda Szymanik, Philippa Werry, Glyn Harper, Anna Mackenzie and Maria Gill, as well as illustrators Fifi Colston and Marco Ivancic are also giving a panel talk at Wellington Central Library on Tuesday 18th October from 6pm - 8pm. There will be book giveaways, light supper, posters and bookmarks to take home, as well as a very interesting panel discussion about children's war books. See poster below for more details. Hope you can come!
Thursday, September 22, 2016
Tuesday, August 16, 2016
Whangarei Library 'What Lies Beneath Exhibition'
The 'What Lies Beneath' Exhibition travelled from Palmerston North to Whangarei for the month of August. Librarian Glenn Davidson incorporated Anzac art from a local school into the exhibition. It looks very striking with the black and red tablecloths, too.
Sunday, July 24, 2016
Palmerston North 'What Lies Beneath' exhibition in July
Palmerston North Library hosted the exhibition during July. They also invited Glyn Harper, David Hill and Maria Gill to talk one afternoon to a gathered crowd.
Friday, July 22, 2016
What Lies Beneath Exhibition in Queenstown
The What Lies Beneath exhibition was in Queenstown during the month of June. Children's author Jane Bloomfield interviewed Maria Gill about the exhibition and children's war books to a small crowd at Queenstown Library on Saturday 18th June.
Some pictures of the stunning scenery in Queenstown.
Friday, June 24, 2016
Introducing Fifi Colston
Graduating in Wellington with a Diploma of
Visual Communications Design, Fifi freelances with fingers in many creative
pies. She
is a published junior fiction novelist, children’s book illustrator of more
than 30 titles and was a long standing television presenter of arts and crafts
on firstly TVNZ’s ‘What Now’ and then ‘The Good Morning Show’. Fifi is a
veteran of Wearable Arts; a finalist and award winner over 20 years with 22
entries in show. She has also worked with Weta Workshop, 3 Foot 7 Productions,
Pukeko Pictures and The Production Shed in the New Zealand TV and film industry
as a costumier, puppet maker and illustrator. When she has a moment,
Fifi visits
schools and community groups, inspires budding artists and writers and runs
workshops in creative process.
All the answers relate
to The Red Poppy
My husband’s grandfather Rothwell, wrote postcards to his
fiancé Hilda, from 1914-1918. Particularly poignant were two from France; they
said simply “Am O.K” and “Keep smiling!” I was in the process of scanning and
blogging these cards for the family when I read David’s story. Jim’s
letter home never mentioning the horrors of the trenches struck an immediate
chord with me; those cheerful words from a young man, disguising the reality of
his situation. Rothwell did come home from France to be a husband and father,
but was far from ‘o.k’; dying just a few short years later from the cruel
ravages of his war experience. Illustrating this book was a journey through his
time for me. I visited the Army Museum in Waiouru (a must see- really great!)
studied WW1 uniforms up close (collected by passionate people), grew red
poppies, (harder than you'd think) photographed mud (outside our house) and
rubbed chalk pastel until my fingers were raw. I learned much about pastel
illustration technique, but more about the horror and sadness of war. Monday, June 6, 2016
Introducing Anna Mackenzie
Anna Mackenzie lives
on a farm in Hawke’s Bay, NZ, where she writes contemporary, speculative and
historic fiction. Her nine titles have netted her seven Notable Book Awards, an
NZ Post Honour Award, Sir Julius Vogel Award and other accolades. She wrote her
first book when she was seven – and is very glad her mother kept it!
Anna
says:
“My interest in WWI is based in family stories. I
wanted to properly understand my grandfather’s and other family members’
experiences.
“A real high point of writing Evie’s War was having a writing residency in Belgium, which allowed
me to thoroughly immerse myself in WWI history. I could walk battlefields, seek
out buildings where hospitals had been based, study landscapes, weather, the
day-to-day things our servicemen and women would have experienced. And of
course, I wrote!
“Sometimes the research made me cry: standing at my
great-uncle’s grave, listening to ‘The Last Post’ played beneath the Menin Gate
in Ieper, walking around trenches and cemeteries – there was so much suffering
and waste. It’s impossible not to feel saddened by it. But even during the very
worst of it, our capacity for love and friendship – our humanity – shines
through.
“I was surprised by how very real, and alive, those
young men and women felt – and continue to feel – to me, and by how fascinated
I’ve become by war and its aftermath. WWI isn’t yet ready to let me go.”
In addition to writing novels Mackenzie edits
magazines, teaches creative writing, mentors beginning writers and travels
‘whenever it fits in’. She is Vice-President of the New Zealand Society of
Authors.
Titles: High Tide (2003), Out on the Edge (2005),
Shadow of the Mountain (2008); Sea-wreck
Trilogy – The Sea-wreck Stranger (2007), Ebony Hill (2010), Finder’s Shore
(2011); Elgard series – Cattra’s
Legacy (2012), Donnel’s Promise (2013); WWI
– Evie’s War (2015).
- WEBSITE: www.annamackenzieauthor.com
- FACEBOOK: www.facebook.com/annamackenzie.nz.author
Sunday, June 5, 2016
Introducing Philippa Werry

I was born in Christchurch and
grew up in Wellington, Auckland and New Plymouth. As a child, I wrote stories
and poems for the Children’s Page of the Evening Post newspaper. Checking on a
Saturday night to see if any of my stories had been published was an
established part of my childhood. The rest of the family used to check too, and
I would get phone calls from my dear great-aunts if anything was in there. I
still have the book that I pasted all my stories into, and I often take it
along when I do school visits.
Another big influence was Ida
Gaskin, my wonderful English teacher at New Plymouth Girls’ High School. Ida
treated me as a writer. She died in January 2016, aged 96.
After high school and
university came overseas travel, an MA in
English Literature, marriage, more study (library diploma) and more travel, including long
overland trips through Asia and Europe. All this time I was writing letters and
travel journals, but it wasn’t until I was at home with small children that I
started to write again seriously. I read a newspaper article about the School
Journal and thought that might be something I could do in the small pockets of
time I had available.
My first stories, poems and
plays were published in the School Journal in the 1990s. Later I became
interested in non-fiction and covered many different topics for educational
publishers. Scholastic has published five of my children’s novels, including Enemy
at the gate, shortlisted for the 2009 NZ Post children’s book awards. New
Holland has published three non-fiction titles and a picture book, Best
mates, illustrated by Bob Kerr. Other work (both plays and short stories)
has been published in anthologies.
In recent years, my interest
in history has translated into writing historical fiction and non-fiction, with
an emphasis (partly because of family history) on war-related stories. Anzac
Day: the New Zealand story was shortlisted in the 2014 NZ Post children’s
book awards, and Waitangi Day was shortlisted in the children’s choice
section in 2015.
Interview questions:
Positive (happy) you discovered while writing/illustrating the
book.
One positive experience I
had was getting in contact with lots of people all around the world who helped
with my research or let me use their photos. I also found it very positive to
be writing and thinking a lot about peace. Sad (tragic) you discovered while writing/illustrating the book.
When researching by reading old diaries and letters, you come across many sad entries. One of the most poignant that found its way into the book is the diary entry by Australian WW1 nurse Elsie Tranter, written on Armistice Day. Many soldiers had mixed feelings about celebrating on that day; of course they were relieved that the war was over but their reactions were often quiet and muted.
But the nurses only got a few hours off to celebrate, if they were lucky. Men didn't stop dying just because the Armistice had been announced, and the nurses still had sick and wounded patients to look after.
Interesting (that surprised you) you discovered while writing/illustrating the book.
I was surprised and pleased that there are so many peace memorials in New Zealand. We often focus on the war memorials but actually there are a lot that commemorate peace, and they come in all sorts of different and interesting forms, such as peace poles, flames, bells, walks, plaques and buildings.
Sunday, May 29, 2016
Introducing Melinda Szymanik
Melinda
Szymanik has been a writer of children's fiction across a wide range of ages
for over fifteen years with many publications to her name. Her first novel was
completed during an NZSA mentorship and she is now herself a mentor for this
programme. Her picture book The Were-Nana (Scholastic, 2008),
illustrated by Sarah Anderson, won Children’s Choice at the 2009 NZ Post
Children’s Book Awards, and she also won Librarian's Choice at the 2014 LIANZA
Awards for her junior novel A Winter's Day in 1939 (Scholastic,
2013).
Recipient of the University of Otago, College of Education, Creative New
Zealand Children's Writer's Residency in 2014, Melinda was also granted a
University of Otago Wallace Residency at the Pah Homestead in 2015. She recently
completed a Diploma in Children's Literature from the University of Canterbury
(2015), following on from a Bachelor of Arts majoring in English Literature
awarded in 2004.
Melinda
has been on the NZSA's Youth Mentorship Selection Panel twice, convening the
panel in 2015. She blogs regularly on books and writing, runs writing workshops
for children and adults, and regularly visits schools as part of the NZ Book
Council's Writers in Schools Programme. Her latest picture book, Fuzzy
Doodle, illustrated by Donovan Bixley will be published by Scholastic
in June.

Interview questions:
Can you please tell us the positive, sad, and interesting things that occurred while you wrote the book.
1). Something positive was learning so much
more about my father’s childhood. I knew some of the major events but writing
the book helped me join the dots between them and I felt closer than ever to my
dad.
2). Something sad was knowing how bad
conditions were and how much he had had to endure.
3). Something interesting? That so many
Polish people were deported out of Poland by the USSR and became this
incredible diaspora that even reached New Zealand.
Thursday, April 21, 2016
Introducing Jennifer Beck
I grew up on a farm in North
Auckland, as one of five children. We didn’t have many toys, which meant we had
to use our imagination and make up ways of entertaining ourselves. Both my parents loved books, and reading
books was a favourite pastime. We often
played ‘word games’ around the kitchen table. Art was also important in our
family, and we were encouraged to draw and paint. Later, as the parent of young
children I was involved in Playcentre, and was influenced by several very
creative friends. I think these
experiences helped me become a writer.
I trained as a teacher and later as an educational psychologist, and later combined writing books while working in these occupations. Although I’ve written many educational school readers, a love of art as well as writing has lead to my specialising in picture books, many of which have won awards. These include five books which deal with war, a topic which I believe requires special sensitivity when written for children. As well as enjoying collaborating with skilled illustrators such as Robyn
Belton, Lindy Fisher and
Fifi Colston, I have also illustrated one of my own books. Although I have always valued the work of
illustrators, the experience of illustrating a book myself was an extra
reminder of how difficult and time-consuming this role can be!
I live on the outskirts of
Auckland with my husband Peter, and enjoy family and community events, reading,
watercolour painting and travel, particularly around New Zealand.
Interview Questions: I asked Jennifer Beck if anything positive, sad or interesting happened while writing the two books. Jennifer answered:
Positive: The Anzac Violin
Interview Questions: I asked Jennifer Beck if anything positive, sad or interesting happened while writing the two books. Jennifer answered:
Positive: The Anzac Violin
For years Robyn Belton and I had talked
about writing the story of Alexander Aitken. He was a Dunedin soldier who carried
a violin ashore at Gallipoli, and at times managed to play it to his comrades
during the campaign. A very special
experience for me was visiting Otago Boys’ High School in 2011 and being able
to hold that same violin which is now a treasured memento on display at his old
school. Returning to Dunedin in 2015 as
Children’s Writer in Residence at the University of Otago, with the opportunity
to write the story, was a wonderful follow-up experience.
Sad:
The Bantam and the Soldier
Robyn Belton and I wrote this picture book
over twenty years ago, and it is great to have it still in print. Although the story relates to many New
Zealand families, it is also very personal for both of us, and I must confess
that when reading it I get a bit emotional at times, just as I did when writing
it.
Interesting:
Research for these two books and other war
stories has led to meeting many interesting people, travelling to places I
would never have otherwise visited, and sometimes making surprise discoveries
and links that have enhanced the original story. Research may sound a bit dull, but it can
lead to exciting discoveries such as seemingly astonishing coincidences. Wednesday, April 20, 2016
Introducing Peter Millett
Peter Millett loves
writing humorous stories that the whole family can enjoy. His most popular NZ
books are The Anzac Biscuit Man, Humpty Rugby and Moa's Ark, and his most
well-known overseas titles are the Boy Zero Wannabe Hero and Johnny Danger
series. His picture book The Anzac Puppy won the Children's Choice award at the
2015 NZ Book Awards.
I asked Peter Millett to tell us something positive, sad and interesting that occurred when writing the book.
1. Positive (happy) you
discovered while writing/illustrating the book.
The people of Cannock Chase hold Kiwis
in the highest regard and go out of their way to honour our WW1 contribution.
2. Sad (tragic) you discovered while
writing/illustrating the book.
The tragic case of soldiers who died on
the transport ships getting to the UK before seeing any action or training.
3. Interesting (that surprised
you) you discovered while writing/illustrating the book.
Contacting a retired UK journalist who
vividly remembered interviewing Fred Smith in 1965. Fred's excellent research
helped inspire my book.
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